Themes

Open Access Article

1 - Mystical Contents on Saeb’s Sonnets
حسين فقيهي حسن شاهی‌پور

Saeb Tabrizi was a talented literary man who earned fame in his own time in India, Iran and mid-Asia. As a matter of fact, once Saeb created new methods in poetry, and simultaneously discussed precise moral, social, mystical and thoughtful points, he gained such honor a More

Saeb Tabrizi was a talented literary man who earned fame in his own time in India, Iran and mid-Asia. As a matter of fact, once Saeb created new methods in poetry, and simultaneously discussed precise moral, social, mystical and thoughtful points, he gained such honor and position. These features granted a particular grandeur and magnificence to his poetry; especially his sonnets. Saeb’s poetic style goes back to the methods used by the poets of the Safavi era; possessing rich, subtle and specific themes, thoughts and also rare visions and imaginations; specifically true in the case of his parables or equivalents. Many of the scholars and researchers have merely considered the subtle literary themes, in addition to the imaginative and abstract words in the survey and study of Saeb’s sonnets. Yet they have constantly neglected one point; his poetic verses enjoy pure and prominent mystical and Gnostic expressions. Actually Saeb has never been considered as a mystical poet faithful to Gnostic and mystical thoughts in the Safavi era. The writer of this paper intends to prove that Saeb’s poetry not only enjoys literary, social, thoughtful, and moral aspects, but also bears grand mystical themes. Saeb is actually a very modest poet whose sonnets are a manifestation of Gnostic thoughts and attitudes. Anyhow, no one regarded him as a mystical poet and he was always introduced as a poet following the Indian School innovating creative methods and offering rare and witty contents. Saeb himself never regarded himself mystical either. Manuscript profile

Open Access Article

2 - A Comparative Study of Education in Saadi’s Works and Tagor's Poems
Ahmad حسنی رنجبر کاینا ابراهیمی

Undountedly different nations owe their educational doctrines to their intellectual characters. In order to understand the educational doctrine in Iran and other countries that is close or similar to Iran, studying Saadi’s and Tagor’s thoughts considered to be reasonabl More

Undountedly different nations owe their educational doctrines to their intellectual characters. In order to understand the educational doctrine in Iran and other countries that is close or similar to Iran, studying Saadi’s and Tagor’s thoughts considered to be reasonable and significant. This research aims at dealing with this fundamental question that “what are the similarities and differences between the lyrical themes in Saadi’s works and Tagor’s poems?” Undoubtedly, the effect of cultural, climate, scientific, political and social factors has important role in forming these ideas, and is the reason of the similarities and differences in fundamental themes like paying attention to the nature of education, the value of life, death, aging, word, and etc. However, each one of these poets sometimes has his own ideas regarding a specific subject which is quite the opposite or independent of the other. In this article, the ups and downs of these poets’ ideas and their concordance and independence will be studied. Manuscript profile

Open Access Article

3 - The study of religious, ethical and religious beliefs in popular literature in Shahrbabak
fatemeh riahi ata mohammad radmanesh Mahboubeh Khorasani

The moral and moral themes are part of folk literature, which represents the pure and pure faith of the public throughout history. The folk literature of each region is the heritage of the previous generations; it is rooted in the local and local traditions of that clim More

The moral and moral themes are part of folk literature, which represents the pure and pure faith of the public throughout history. The folk literature of each region is the heritage of the previous generations; it is rooted in the local and local traditions of that climate, and the folk literature expresses the beliefs and customs of each region. Religious beliefs have a special place among the people of Shahrbabak and are evident in various forms in the literature and poetry of these people. The study of religious and ethical beliefs is one of the aspects of folk poetry that has been neglected. This article seeks to examine the religious and moral approach in the folk poetry of Shahrbabak and show that in addition to love and descriptiveness, the themes of belief are also seen in folk poems, and this may be the function of public art that has been able to Draw different themes together. Manuscript profile

Open Access Article

4 - Mystical Spiritual Dangers in Poem Concepts in Brotherhood Poems
Leila Sayegani Habib Jadidol-eslami Ghale No

Undoubtedly, Mehdi Akhavan Saleh is one of the most important post-half-generation poets whose poems, according to most scholars of contemporary Iranian literature, are a poetic and artistic combination of the classical Persian poetry tradition and new poetry. Akhavan S More

Undoubtedly, Mehdi Akhavan Saleh is one of the most important post-half-generation poets whose poems, according to most scholars of contemporary Iranian literature, are a poetic and artistic combination of the classical Persian poetry tradition and new poetry. Akhavan Saleh is a representative of a generation of poets who is committed to the community and its developments, and literally, his poetry enjoys particular ghana. In fact, he is a poet who cares both in literary form and in his poetry content. Hence, by understanding such features in his poetry, many have tried to discover and examine the dimensions of the Akhavan-Sale literature with new readings. Manuscript profile

Open Access Article

5 - Reflection on the content of the Holy Defense Poetry
Yousef Karami CHemeh

Abstract In every work of art, there are two components: form and content. This is also true poetry and studies-by the poetry, the two components will be given. Look at the history of Persian literature shows that poets also those that consider both the form and conten More

Abstract In every work of art, there are two components: form and content. This is also true poetry and studies-by the poetry, the two components will be given. Look at the history of Persian literature shows that poets also those that consider both the form and content of his poetry and the other one to win it had gone down. In this study, overall vision and comprehensive content of the imposed war is studied. What was at first a kind of poetry known as the Sacred Defense poetry, concept and content of the poem was similar. The author uses library resources and content analysis has tried to unsubscribe and similar roots in the lyrical content is determined war. The most important themes and concepts presented in Sacred Defense poetry, martyrs and martyrdom in Karbala event and the culture of Ashura, hope for the future and expect the Messiah, patriotism, ranting and epics, appealed to the decline of values, and so on. The themes in the teachings Iranian poets - have taken advantage of Islamic and indeed a large part of the content of Sacred Defense poetry, ritual. Manuscript profile

Open Access Article

6 - New research on the effects of the Quranic verses On the HAMIDI MGHAMAT
Ahmad Khajehim ریحانه صادقی

HAMIDI MGHAMAT is one of the valuable books of technical prose in Persian literature that Judge Hamid al-Din (d. 559) has devoted his extensive knowledge to various fields. This text was adorned by the late professor and researcher of Dr. Anabzinejad correcting and addi More

HAMIDI MGHAMAT is one of the valuable books of technical prose in Persian literature that Judge Hamid al-Din (d. 559) has devoted his extensive knowledge to various fields. This text was adorned by the late professor and researcher of Dr. Anabzinejad correcting and adding suspensions to the ornament and is now one of the most authoritative manuscripts cited and available to scholars, professors and academics. The present study attempts to analyze the text of the authorities in a descriptive and analytical way to express different reflections of verses and themes of the Holy Quran which have not been mentioned in any source. The results of the study show that the verses of the verse are based on the verses in the direct application of the verses as well as the use of the content and content of the verses, the combination of several verses to convey their message and even the use of the structural style of the Holy Quran Manuscript profile

Open Access Article

7 - An Introduction and review of a manuscript of Divan of Darki-ye qomi with an emphasis on poetic forms
MohammadReza Masoumi

10.52547/qap.33087.4.3.109

One of the poets belonging to the Indian School of Persian poetry in the 17th and 18th centuries is Molla Mohammad Amin Darki-ye qomi. Biographers have reported on him as a poet with lots of verses including some 20 to 30 thousand couplets. A manuscript copy of his Diva More

One of the poets belonging to the Indian School of Persian poetry in the 17th and 18th centuries is Molla Mohammad Amin Darki-ye qomi. Biographers have reported on him as a poet with lots of verses including some 20 to 30 thousand couplets. A manuscript copy of his Divan is kept with Malek National Library, registered under No. 5146. The present study, as a descriptive-analytical research, was conducted following a correction of the poet's Divan and dealt with introducing and reviewing the said-above manuscript. The findings indicate that the manuscript in question included some 6300 couplets of Darki-ye qomi's Divan in such poetic forms as Qasideh(ode), Qet'eh(fragment), Ghazal(sonnet), Masnavi(couplet-poem), Tarji'band and Tarkibband(refrain). Darki has versified admirations of great figures and religious personalities into Qasidehs, chronograms into Qet'ehs, lyric themes into Ghazals, and Saghinameh into Tarji'bands. He was a creative poet in terms of imagination and theme generation with a moderate and fluent style. A typical characteristic of Darki-ye qomi's poems is the repetition of rhymes and a high probability of employing radifs. Manuscript profile

Open Access Article

8 - Comparative Analysis of Quran Verses and Hadith in the Books Golestan and Marzban nameh Written by Sa’di
Elham Moeinian

Narrative verses of the Holy Quran have always been a source of inspiration for Persian Muslim literates and poets and have benefited from the vast sea of Quran knowledge according to their literary works, their cognizance and insight. Sa’di Shirazi and Sa’d-al-din Vara More

Narrative verses of the Holy Quran have always been a source of inspiration for Persian Muslim literates and poets and have benefited from the vast sea of Quran knowledge according to their literary works, their cognizance and insight. Sa’di Shirazi and Sa’d-al-din Varavini have used precious concepts of the divine word in their works and have used the verses of Quran as a gem to adorn their sweet sayings, so that by recalling the prophetic hadith, divine verses and stories, the reader will be guided to understand the Ethics and humane values, and will be encouraged do the good deeds. Marzban nameh and Golestan are of the most important works of Persian literature in the type of technical prose in the Sixth and Seventh century and since one of the important features of the prose of this period is the use of Quran verses and hadiths, this study by using descriptive- comparative method, investigates the frequency of Quran verses and hadiths applied in these two books; besides it presents various examples of verses, hadiths, Quranic themes and Arabic quotations and statements, and also studies the ways by which these verses and hadiths are shown in these two books. One of the results of this study shows that Sa’di and Varavini have been successful in integrating Arabic themes and statements with Persian prose Manuscript profile

List of Articles Themes

Rimag

Links

Related Centers

Technical Support

Official pages