List of Articles Intertextuality

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  1 - Methodological analysis of the issue of literary influences in'Sokhan- va- Sokhanvarn' by Forouzanfar
  Ahmad khatami Maryam  Mosharraf-o-lmolk azam saadat
  At the same time with Bakhtin's (1895-1975) drafting, in the early twentieth century, about "Logic of conversation” that provided the basis for the theory of Intertextuality in the 60s by Julia Christova(1941- ), Badiozzaman Forouzanfar(1899-1970) created a critical app More

  At the same time with Bakhtin's (1895-1975) drafting, in the early twentieth century, about "Logic of conversation” that provided the basis for the theory of Intertextuality in the 60s by Julia Christova(1941- ), Badiozzaman Forouzanfar(1899-1970) created a critical approach in writing of Sokhan-O-Sokhanvaran (printed 1929-1933) that later Abdolhossein Zarrinkoob in his literary Criticism book referred to it as "Criticism of influence" (printed 1959). This study seeks to explain Forouzanfar's attempt in creating a coherent way of expressing the efficacy and influence in form and content in Persian poetry and to compare it with “criticism of influence”, introducing it as an independent critical approach. Forouzanfar, maneuvering on the old topic of plagiarism, changed it into an effective and practical tool to describe literary influences in the Persian poetry, and despite the distance from the theoretical origins of intertextuality, he applied similar concepts in analyzing literary relationships in poetry and determining the role and position of poets in the context of history. Manuscript profile
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  2 - Discursive function of "Zindiq": Pahlavi literature and Arabic and Persian Texts of
  Alireza Heydari Mojtaba Monshizadeh Faezeh Farazandehpour
  In this article, using the approaches related to "critical discourse analysis" (CDA), the function of the word "Zindiq" (heretic) over time has been studied.Apparently, this word was used for the first time in Sassanid Pahlavi literature in the inscriptions of Cartier ( More

  In this article, using the approaches related to "critical discourse analysis" (CDA), the function of the word "Zindiq" (heretic) over time has been studied.Apparently, this word was used for the first time in Sassanid Pahlavi literature in the inscriptions of Cartier (Zoroastrian dogmatic priest) about the Manicheans who were oppressed and killed by this person.The word "Zindiq" was then used in Pahlavi, Arabic, and Persian literature to drive out and suppress ideological dissent.According to Foucault's classification of "exclusion" methods (in 1970), presumably, the derivation of "zand" to the Avestan root of zan- (to know) in "Zindiq" had been hidden by Zoroastrian priests in Sassanid period.In this study, it becomes clear that according to Fairclough (1995)'s three-layered model in discourse analysis and "intertextuality", relying on the texts of a period, the discourse function of words such as "Zindiq" is not understood or it is hardly possible to understand the discursive functions of this word in the texts of one area.It will also become clear that over time, Zandik's rejection of the discourse will expand, and that the leaders of any discourse, along with their followers, will often expel their opponents on Zandik charges in order to gain hegemony over their ideology.According to Laclau and Mouffe's (1985) theory of discourse, from during the juridical discourse of Sasanian period and later on, the new meanings were added to this word (Zindiq) by different "elements". Consequently, the function and meaning of "Zindiq" changed from “interpreter of Avesta” to innovator (heretic), sinister, magician, etc.Thus, the implications of lexical jurisprudence are useless without CDA for understanding the meaning and function of "Zindiq". Manuscript profile
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  3 - Investigating on the Continuity of Structures of Iranshahri's politics In Iranian and Islamic Epistles (Case Study: The Era of Ardeshir and Khajeh Nizam-Al-Mulk eTusi)
  mohadese jazaee roh allah eslami
  The “Mirror of Prince’s genre” is one of the long-standing Iranian traditions, and unquestionably one that extended into the Islamic era. In this article, we examine the continuation of the structures of the Iranshahri concept, with the method of intertextuality, within More

  The “Mirror of Prince’s genre” is one of the long-standing Iranian traditions, and unquestionably one that extended into the Islamic era. In this article, we examine the continuation of the structures of the Iranshahri concept, with the method of intertextuality, within the ancient Iranian text of “The Era of Ardeshir’’ and ‘‘Siyar-al-muluk’’ of Nizam al-Mulk. Intertextuality claims that no text is separate from the past and no text can be viewed as a closed and self-contained system. In other words, each text gains meaning by concepts of the past and influences the understanding of the reader. According to this fact, all fundamental meanings and their logic is dependent on what has already been said. The texts reflect the political realities of society in their own way as reflected in dialogues or monologues. After explaining the theory of intertextuality, the authors show how structures such as the quality of governance and the emphasis on the Farah of Shah, the coherence of religion and politics, the importance of the ministry's institution, and the establishment of spies, and structures such as the methaphysical politics, despotism and patriarchal government stress on the relation of intertextuality between these two texts and make justifiable the possibility of countinuing The Mirror of Princes. Manuscript profile
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  4 - The Investigation of transtextuality relation between Rahi Moayeri’s Ode and Sadi’
  hoshang mohammadi afshar Mobin Salehi nia
  Every one of distinguished poets of Persian literature has been master in some types of literary. In such a way that they have changed that type of literary into a good standard for other literary works. Furthermore, their works as a mother text have attracted poe More

  Every one of distinguished poets of Persian literature has been master in some types of literary. In such a way that they have changed that type of literary into a good standard for other literary works. Furthermore, their works as a mother text have attracted poets, writers, and other artists. One of this great poets , “Sa’adi-e Shirazi “, is as a certain literary Persian master. Also many poets are influenced by Sa’adi’s style in the way that they versify. One of the contemporary sonneteers who is more influenced by Sa’adi in his style of poems, selecting the terms, composition, content, and the type of his glance is ‘Mohammad Hosein Rahy Moayeri’. This article tries to investigate Rahy Moayeri’s impression from Sa’adi in ode based on Gerard Genette’s transtextuality theory . This theory surveys all correlations between one text and other texts as well as it characterizes the quality of the influence of “pretextuality” and “hypertextuality” and analyzes the aspects of a text. In result, what we can understand includes something such as: Rahi’s attitude to Sa’adi’s ode, the use of terms and combinations in an un explicit and implicit way, and the processing of the subject and content, the type of Rahi’s look into Sa’adi’s poets in different topics, and the quality of imitation or the changing of looking into Sa’adi’s contents . These are compiled based on analytical- descriptive way and library method. Manuscript profile
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  5 - Quranic Intertextuality in Nasif Al-Yaziji’s Works
  مرتضی  قائمی
  Objectives: One of the major approaches prevalent in recent decades regarding literature is intertextuaity studies. Intertexulaity indicates that there is a correlation between texts. Knowing about these interrelationships opens a new chapter on reading texts. As a prim More

  Objectives: One of the major approaches prevalent in recent decades regarding literature is intertextuaity studies. Intertexulaity indicates that there is a correlation between texts. Knowing about these interrelationships opens a new chapter on reading texts. As a prime example, we can refer to “Majma-al-Bahrain” by Nasif Al-Yaziji, contemporary writer and poet. This research attempts to study this book’s allusion on intertextextuality in comparison with the Holy Quran. Method: The paper has been conducted in an analytical-descriptive method based on the Quran verses mentioned in “Majma-al-Bahrain”. Conclusion: The purpose of this research is to identify and introduce the impact of the Holy Quran on content and terminology of Nasif’s works. There are many books available on intertextuality as well as Nasif’s works, but intertextuality regarding the Holy Quran needs more attention at present time. The most important achievement of this research is that Quranic issues form a major part of Nasif’s works. It is more interesting when we considerate he is a Christian. Applying common parables and referring to events, Quranic stories and characters are all examples of intertextuality in Nasif’s works. By evaluating the issue of intertextuality in Majma-al-Bahrain and the Holy Quran, we understand that while the existing correlation seems like a parallel or partial negation, it is indeed a general negation. Manuscript profile