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      • Open Access Article

        1 - Analysis of secondary motives of imperative verb in social poem of collection of "Aieenehei Baray-e Sedaha (A Mirror for Sounds)"
        Seyyedeh Fatemeh  Zabihpour Aliakbar Bagheri Khalili siavash haghjou
        The main message of the literary propositions lies in their meanings and secondary function and the author uses it in artistic and beautiful way to affect the audience. Speech act is one of the subcategories of Pragmatic and aims to reopen the implied meanings; as centu More
        The main message of the literary propositions lies in their meanings and secondary function and the author uses it in artistic and beautiful way to affect the audience. Speech act is one of the subcategories of Pragmatic and aims to reopen the implied meanings; as centuries before its advent, traditional semantics had the task of specifying secondary purposes in the form of news and propositions.Imperative verb has a variety of applications as one of the subcollection of the essays in semantics and its pragmatic analysis has an important role in discovering the hidden layers of the author’s mind and thought and makes the affection more connected.Mohammad Reza ShafieiKadkani, the outstanding contemporary poet, in the collection of poetry "Aieenehei Baray-e Sedaha (A Mirror for Sounds) "has influenced on imaging and the conceptualization of the poetry. Reviews show that by applying the imperative verbs artistically in the the proportional and contradictory context of the poet and using the rhetorical elements, Shafiei could illustrate them in the convincing, guidance, encouraging applications, besides the other implicit applications like expressing the wonder, astonishment and threat. This secondary purpose is equivalent to Illocutionary Act in Austin’s speech act theories that recounts the power of impact on the audience and stimulating emotions by artistic ability to present them and says theAustin’s impact act. Manuscript profile
      • Open Access Article

        2 - A Survey of Loneliness in ShafieiKadkani’s Works: (Aeeneh-e barāyesedāhā, Hezāre-ye dovom-e Āhooyekoohi, Tefli be name Shādi)
        seyyed alireza kashfinia Ahmad  Tahan Mohammad Mahdi  Torabikhah Jahromi
        Does loneliness merely mean willing or unwilling distance from the people surrounding us? or are there any other kinds of loneliness?From a long time ago, although some philosophers and psychologists have defined loneliness and its kinds, it’s not an easy task to define More
        Does loneliness merely mean willing or unwilling distance from the people surrounding us? or are there any other kinds of loneliness?From a long time ago, although some philosophers and psychologists have defined loneliness and its kinds, it’s not an easy task to define a definite borderline between kinds of loneliness. These experts have suggested that some kinds of loneliness can be merged and in some cases loneliness can be either the causes or forms of loneliness occurrence, not a specific kind.In a descriptive-analytical design, this theoretical research tries to examine the kinds and causes of loneliness in ShafieiKadkani’s poems through library and documentary methods. According to the findings of the research, among the factors of interpersonal loneliness in ShafiiKodkani's poems, we can mention the separation that is the result of his first poems.From this point of view, ShafieiKadknai is a romantic poet who mainly followsthe images and themes of the poets known to have Indian Style. With regard to intrapersonal loneliness, the poet shows a tendency for seclusionwhich is resulted from his frustration from the political and social events and his nonconformity with a group of people with whom he sees no affinity. However, there is no sign of existential loneliness (i.e., a subcategory of intrapersonal loneliness) in ShafieiKadknai’s poems. Manuscript profile