List of Articles نیما یوشیج

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  1 - Serivili; The Captive of Twofold Contrasts (Reviewing Twofold Contrasts in The Poem of "Khanehy-e Serivili" (Serivili's Home) composed by Nima Yushij)
  siavash haghjou مرضیه  حقیقی  
  Twofold contrast is the most important basis of Structuralism that its theorists had applied it in different areas like linguistics, narratology, philosophy, cultural studies, anthropology, and psychology. Claude Lévi-Strauss used twofold contrasts to know general struc More

  Twofold contrast is the most important basis of Structuralism that its theorists had applied it in different areas like linguistics, narratology, philosophy, cultural studies, anthropology, and psychology. Claude Lévi-Strauss used twofold contrasts to know general structure of human mind behind myths and different cultural actions and believed that these contrasts were the first human effort to understand his/her surrounding environment and the human existence were involved in these unavoidable twofolds. The study applied Lévi-Strauss thoughts in reading “Serivili's Home” of Nima Yushij. Serivili, the poet, is in contrast with an evil in this poem that is in opposition with all his thoughts. Oppositions like village/city, nature/culture, modernity/tradition, and in general consciousness and unconsciousness are depicted as oppositions between the poet and evil. Serivili is involved with tensions and oppositions that are resulted from conversation with evil and this continuous tension continues to the end of poem. Disobedient mind of Nima used twofold contrasts to express his most important intellectual differences, contrasts, and oppositions with owners of political power whose thoughts come to one’s conscious mind with evil symbols. Manuscript profile
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  2 - The Effect of Symbolism of Expression Methods of Nima Yushij Thoughts
  حاتم  قادری A m Mohammad kamalizadeh
  We study in this article some political approaches of European Symbolist poets and reread Nima’s method of interaction with his time intellectual Currents to show that Nima’s political trends and his relation with intellectual ideologies and discourses of his time has c More

  We study in this article some political approaches of European Symbolist poets and reread Nima’s method of interaction with his time intellectual Currents to show that Nima’s political trends and his relation with intellectual ideologies and discourses of his time has close similarity with dominant approaches found in thought and action of European Symbolists; in other words, Nima’s advocacy of symbolism- not the only factor- has a lot effect on his political trends and decisions. Among these, hegemonic intellectual discourses of his time and his method of facing with these discourses also had determinative role in promoting these trends. Manuscript profile
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  3 - Poetry analysis of "Simorgh" and "Phoenix" in the transition from Epic and mysticism in modern Persian poetry based on the poem "Phoenix" by Nima Youshij
  sara hosseini rahman zabihi alireza shohani
  Simorgh and Phoenix, as mythical creatures, have different visual effects and images in every literary genres. The claim that this study seeks to prove is that these birds have many existential characteristics that any literary genre, according to its context, pays atte More

  Simorgh and Phoenix, as mythical creatures, have different visual effects and images in every literary genres. The claim that this study seeks to prove is that these birds have many existential characteristics that any literary genre, according to its context, pays attention to, and this point is quite obvious in the transition of classical poetry to the New-Persian one. Accordingly, in order to prove this claim, the similarities and existential differences between Simorgh and Phoenix in the prominent examples of epic, mystical and modern poetry are examined, and the differences between Nima's view from this perspective is studied and analyzed as well. The present study aims to answer two fundamental questions: What changes are occurred in the image clusters of Simorgh and Phoenix in the transition from epic and mysticism to modern Persian poetry? To what extent does the poetic image of Phoenix in Nima's poem "Phoenix" represent a new look that he sought to design and expand in modern Persian poetry from the pictorial poetics point of view? The results of this study represent that Nima uses Phoenix in a symbolic structure via utilizing the familiarity of the Iranian human mind with the images of Simorgh and Phoenix. Furthermore, this time he employs the phoenix in a symbolic structure, overcoming the objectivist aspect of his poetry and presents his socio-political thought, while the aspect of the poem always prevailed in the symbolic poems before him. In addition to presenting the complete and, of course, short narration of this poem, the findings shows Nima's new attempt to replace "the image instead of the specification", thanks to the coherence of the poetic images. Manuscript profile
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  4 - The Relationship between Symbolism and Utopian Thought in Nima’s Poetry
  A m
  Nima’s especial understanding of poetry and the poets’ status has a normative signification that results in depicting a kind of utopian vision in his poems. Stressing “imagination” in poetry, Nima like European symbolists, makes closeness and sameness between poetry an More

  Nima’s especial understanding of poetry and the poets’ status has a normative signification that results in depicting a kind of utopian vision in his poems. Stressing “imagination” in poetry, Nima like European symbolists, makes closeness and sameness between poetry and truth, and then between the position of poet as poet and seer or clairvoyant. Such a closeness resulting in rejection of the present disorder, and offering an ideal world, is in line with the concept of ideology in political thought. In this way, Nima’s specific understanding of poetry gives way to a utopian thought that is known as the most obvious manifestation of social thought in his poetry. Manuscript profile
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  5 - Two Interpretations of a Poem Entitled “Kakki”
  Fatemeh  Rakei
  NimaYoushij’s emphasis on employing expansive and multifarious symbols in his poems, especially unique symbols and idiosyncratic ones from his mother tongue grants a special succulence and freshness to the third period of his poetic life which starts with “Khab-e Zemest More

  NimaYoushij’s emphasis on employing expansive and multifarious symbols in his poems, especially unique symbols and idiosyncratic ones from his mother tongue grants a special succulence and freshness to the third period of his poetic life which starts with “Khab-e Zemestani” (literally Hibernation) from 1951 on. These types of poems, due to suffocating political conditions, mostly possess social and political messages that Nima has composed them symbolically. To me, it is possible to attain those messages or at least to touch the conceptions at the time of composing these poems through employing Friedrich Schleiermacher’s hermeneutical method. On the other hand, Nima as a symbolist poet insists on composing poems in a misty ambience through giving multifarious meanings to his poems and believes that ambiguity is one of the specifications of any poem; for this very reason, one of an interpreter’s duties is to discern the different meanings of Nima’s symbolic poems. According to different meanings for the word “Kakki” from various glossaries and the viewpoints of natives of Mazandaran, interviewed, as well as some words of this poem like “parivar” (literally fairy like), feminine nature to the poem is induced. In this article, a different interpretation for “Kakki” rather than its first common interpretation is presented. Manuscript profile
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  6 - Comparison of the features of romanticism in Nima and Forough Farrokhzad poetry
  Manijheh  Hamrah BEHROZ ROMIANI mostafa salari
  <p>The main issue of this paper is the comparison of the image in the poems of Nima and Forough Farrokhzad from the perspective of the romantic image. The romantic image of the epistemological and aesthetic nature is fundamentally different from the classical, symbolic, More

  <p>The main issue of this paper is the comparison of the image in the poems of Nima and Forough Farrokhzad from the perspective of the romantic image. The romantic image of the epistemological and aesthetic nature is fundamentally different from the classical, symbolic, and surrealistic. The author has tried to explain the nature of the romantic image in three parts: in the first part, explains the special features of romantic imagery with the discussion of four characteristics: transformation in nature, shadow of the image, dynamics, and individuality in the image. In the second section, the relationship between the images and the position of the image in the context of the poem is examined by two characteristics of continuity and maturity. The paper is based on a descriptive-analytical method based on a library method.</p> Manuscript profile