List of Articles سرایی

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  1 - A Framework for Studying the Epic Language
  اصغر  شهبازی مهدی  ملک‌ثابت
  One of the issues in modern criticism is the study of language of the literary works. The framework suggested for studying the epic language has focused on the reading of the language of epic poetry at different phonological and musical, morphological and syntactic, rhe More

  One of the issues in modern criticism is the study of language of the literary works. The framework suggested for studying the epic language has focused on the reading of the language of epic poetry at different phonological and musical, morphological and syntactic, rhetorical and literary as well as theatrical levels in order to describe the quality of literary type of epics in language. For this purpose, through the innovative critic theories, mainly formalism, and based on the standard epic language (Shah-nameh Ferdowsi), the framework has been suggested for the study of the epic language at different levels. Subsequently, the paper is going to clarify the necessary indicators and illustrate the quality of them in the epic language by applying a number of evidences from epic texts, in particular Shah-nameh Ferdowsi, in order to access two goals: not only achieving the indicators of epic language but also examining them in the epic poetry and finding how the poems after Ferdowsi were or were not successful in the application of the epic language. According to this framework, it has been shown that Bazel Mashhadi, for instance, has not been successful in his using of the epic language. Moreover, the epic poetry as well as its created images, in some different aspects such as rhythms, composition and coherence, has a range of deficits as well. Manuscript profile
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  2 - Analysis of the Metamorphosis of the Myth of Mithra in the Poem of “Arash-e Kamangir” Composed by Siavash Kasraei
  یوسف  نیک روز Jalil  Khalili Jahromi
  The mythological narratives have always been accompanied by mysterious indications and implications. One of these surprising things is the transformation of creatures and phenomena into one another. Metamorphosis is a change in the appearance, or identity of a person or More

  The mythological narratives have always been accompanied by mysterious indications and implications. One of these surprising things is the transformation of creatures and phenomena into one another. Metamorphosis is a change in the appearance, or identity of a person or a thing through the use of supernatural power. The myths about Iranian gods and goddesses who are created by human imagination can be transformed into different forms and shapes, especially the rulers or heroes living on the earth. Although so far, numerous books and articles have been written about the transformation of mythological phenomena and their analyses, as well as about the myth of Arash-e kamangir (Arash the Archer), the poem of Arash, by Siavash Kasraei is considered to have a mysterious multiplicity due to the re-creation and utilization of the principles of Mithraism and the myth of Mithra (Izad-e Mehr) and its conformity with the conditions of the society of that time. Therefore, it is necessary to analyze the instances and aspects of the Metamorphosis of the myth of Mithra into Arash in this article through an innovative and deep examination of the poem. Then, the compatibility between poet’s ideas and social situations will be examined. The results show that the amazing power of Arash in defending his homeland, overcoming the deadlocks and humiliating the enemy through the use of the special Ahurai equipment is due to this metamorphosis, and could have the same function in the poet’s time. Manuscript profile
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  3 - Review of the narrative time period in the Scriptwriter script by Siavash Kasraei on the basis of Gerard Genet's theory
  hosin rasolzadeh hojat bodaqi
  The ‘Mohreye Sorkh’ Poem is one of the highest narrative poems in contemporary literature, which Kasraei uses with a narrative and mythical method to recreate the stories of Rostam and Sohrab. Since this poem has no direct line and is accompanied by changes to Ferdowsi' More

  The ‘Mohreye Sorkh’ Poem is one of the highest narrative poems in contemporary literature, which Kasraei uses with a narrative and mythical method to recreate the stories of Rostam and Sohrab. Since this poem has no direct line and is accompanied by changes to Ferdowsi's narrative, the use of the theory of genes in the understanding of this system is of great help to the audience. Genette refers to three types of time relationships between the time of the story and the time of the text, which are: 1. Order 2. Durability3. Frequency. The results show that the chracariity in the order element of the tendency is to the type of post-negation. The results show that he has a tendency to type-flashforward in the order element. These flashbacks are the means for him to be able to narrate his closed destiny. In the continuity of time, numerous descriptions, including the description of their characters and their states, space and place and time, have caused the poetry to have a negative momentum and the narrative time with the time of the story and the text is almost equal. The frequency of the element of dialogue has brought the structure of this poem closer to a dramatic text. These talks, in addition to the possibility of personality, have been able to add to the lyrical load of the poetry system. In a few cases, he has been able to escape unnecessary material by using the eliminating element, and directing the audience to the main story. In the case of the frequency element, it can be said that, apart from repeating the story of the birth of Sohrab and the vertebrae, it is not frequent and recurrent, and often comes in singular frequency. Manuscript profile
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  4 - Linguistic and ideological characteristics of Banoo-Goshasb-Name
  somayeh sharoni mohammad reza salehi mazandarani
  Banoo-Goshasb-Name is an epic poem whose subject matter is the life and prowess of Banoo-Goshasb, the daughter of Rostam, and is the only Iranian national epic that its hero is a heroine lady. In scientific research, the determination of the true value of a work depen More

  Banoo-Goshasb-Name is an epic poem whose subject matter is the life and prowess of Banoo-Goshasb, the daughter of Rostam, and is the only Iranian national epic that its hero is a heroine lady. In scientific research, the determination of the true value of a work depends to a large extent on stylistics studies; therefore, the style of the epic poems has always been of interest to Persian literature scholars and in many researches they have been dealing with the epic and especially the epics that have been written in imitation of Shahnameh in subsequent periods. This research, which has been conducted with a thorough study based on stylistic studies, aims to show the linguistic and ideological characteristics of Banoo-Goshasb-Name as one of the epic poems of Iran. An accurate and detailed examination of all verses of this poem, based on the narrators' stories and what was said on the language of the legacies of the Persian culture of Iran, showed that this work, whose author is unknown, was among poems that has been somewhat successful in imitation of Ferdowsi. The themes of romance and grandeur, indulgence, the influence of religious thoughts and prayers, the passing of the code of marriage by the priests, patriarchy, and the mention of some ethical points are among the most important contents and ideologies of this poem. Manuscript profile