• List of Articles love

      • Open Access Article

        1 - Mowlavi and his Tendency to Immortality in Mathnavi
        منصور  پیرانی
        Death, which can somehow be linked with religion, is a major concern to all people. Mankind has nourished many grate dreams and thoughts and just these great desires have caused his flourishing and elevation ‚ and where his dreams and desires cannot be practicable‚ he r More
        Death, which can somehow be linked with religion, is a major concern to all people. Mankind has nourished many grate dreams and thoughts and just these great desires have caused his flourishing and elevation ‚ and where his dreams and desires cannot be practicable‚ he realized them with makind legends and mythical characters. One of these wonderful dreams which mankind has brought in to being, is everlastingness or immortality that has been reflected either in nations legends‚ fables and mythical works ‚ such as Gilgamesh ‚ Achilles, invulnerability of Isfandyar , or in religious narratives like Khezr. The dream of everlastingness made the mankind find a way to realize it. The human’s masterpieces throughout the history reflected this dream in an artistic language. Mawlānā’s Mathnavi is one of these masterpieces, where Mawlānā being inspired with Quran and the prophetic sentences, believes that love is the base of being, and due to the essence common to both God and mankind, i.e. the Divine Spirit breathed in mankind, he can become God-like and make himself eternal. The present article studies “the desire to eternity” in Mawlānā’s views, referring to his source of inspiration, and relying on some verses from Mathnavi and Divan-e Shams. Manuscript profile
      • Open Access Article

        2 - Image of the Greatest Prophet in Mathnavi In Comparison With Ebn Arabi View
        محمدحسين  بيات
        Mawlana is one of the Persian poets who has portrait the existential dimensions of the prophet in his valuable work as a good example of Islamic teaching. In this article, attempt has been made to explain the Mawlavi's special view about the prophet and to compare this More
        Mawlana is one of the Persian poets who has portrait the existential dimensions of the prophet in his valuable work as a good example of Islamic teaching. In this article, attempt has been made to explain the Mawlavi's special view about the prophet and to compare this view with Ebn Arabi's. One of the most important views of Mawlavi in Mathnavi, is the account of Mohammadian truth. About this matter, Mawlavi has introduced the Glorious prophet as a source of accomplishments and loves and also he considers that holy prophet as source of all loves and he believes that all of status and perfections of all other prophets and saints, are a reflection of Mohammadian truth. Manuscript profile
      • Open Access Article

        3 - In search of Seven kingdom of Attar in the Houses of God
        ايمان  زكريايي كرماني
        Mysticism has had a great impact on the Iranian art. In order to reach the most paramount stage in suffism, there are several stages to go through. Each of these stages are defined by different mystics differently. Suffism has even penetrated into industries and art, an More
        Mysticism has had a great impact on the Iranian art. In order to reach the most paramount stage in suffism, there are several stages to go through. Each of these stages are defined by different mystics differently. Suffism has even penetrated into industries and art, and this way it was manifested in architecture of mosques. The structure of mosques can be taken as one of the manifestations of mysticism. Manuscript profile
      • Open Access Article

        4 - Survey of stylistic and rhetorical features of the folk tale "Madhumalat" based on an unknown version
        tahere mousavi Ziba Ghalavandi
        An Important part of oral literature is devoted to folk tales. The only copy of "The Story of Madhumalat" under number 803 is kept in the manuscript collection of India Office, London. According to the in-text evidence and stylistics of the version, this story was writt More
        An Important part of oral literature is devoted to folk tales. The only copy of "The Story of Madhumalat" under number 803 is kept in the manuscript collection of India Office, London. According to the in-text evidence and stylistics of the version, this story was written in the Safavieh era and in the Gurkanian court.This charming story - which is a beautiful example of sub-continental Persian prose - narrates the fate of Manohar, the prince of Kankar city, who falls in love with Madhumalat, the prince of Mahars city. He through the mediation of fairies, and also, alot of hardships, finally marry Madhumalat. Although Madhumalt's story is a folk romance, its prose is full of rhetorical subtleties.The present research, using the descriptive-analytical method, has surveyed this manuscript to explain and analyze its stylistic, literary and rhetorical features.The musical prose of the story along with the use of delicate literary techniques have added to the linguistic charms of this work. The intellectual and cultural atmosphere of the land of India as well as the indigenous and climatic elements of this land are clearly reflected in this story.Through this research, and during the introduction of this unique manuscript, the key role of the Persian language and literature in the Indian subcontinent during the Timurid and Safavid periods becomes more apparent. Manuscript profile
      • Open Access Article

        5 - Themes of Love and Determinism in the Naturalistic Stories by Sadegh Chubak
        Nasrin  Hallajan Parvin  Dokht Mashhur Mehdi  Norouz Mahboubeh  Zia Khodadadian
        Love and determinism ‎are the most prominent themes of Persian literature. Determinism ‎is opposite to the highly frequent term Free will. Love in its spiritual aspect is reminiscent of the mysticism of the Divine Atonement, both physically and according to its instinct More
        Love and determinism ‎are the most prominent themes of Persian literature. Determinism ‎is opposite to the highly frequent term Free will. Love in its spiritual aspect is reminiscent of the mysticism of the Divine Atonement, both physically and according to its instinctual origin, and is known as earthly love. The current paper aims at examining, describing, and analyzing Sadegh Chubak Naturalist fictional works to study his view of Earthly and Physical Love and Human Fate. The animal nature of human in these stories as an overbearing, lustful creature is portrayed in a naturalistic view, and love is presented as a legitimate experience in the form of physical and gendered desire and determinism, that is, human beings - has to comply with biological requirements, and fails to exercise the will of man to submit since destiny is inevitable. In his stories, Chubak relies on the influence of modernism on fate, ambiguity and inheritance on characters Manuscript profile
      • Open Access Article

        6 - The Analysis of Love in Orfi Shirazi Lyrics with an Approach to Iran ‎ Thinking System
        mohsen berahmand
        In the Safavid era the Safavid kings encouraged poets to compose poems in the eulogy of the Prophet (PBUH) and had a negative reaction to the themes of love, thus poetry lost its boom and many poets emigrated from Iran to India and this gave rise to a new style nowadays More
        In the Safavid era the Safavid kings encouraged poets to compose poems in the eulogy of the Prophet (PBUH) and had a negative reaction to the themes of love, thus poetry lost its boom and many poets emigrated from Iran to India and this gave rise to a new style nowadays referred to as Indian style. Orfi Shirazi is one of the first poets to play an important role in the construction and development of this style. This is a content analysis paper based on library resources. We have attempted to analyze the first one hundred lyrics of Shirazi Orfi from his book of poem to examine love in his thinking system. The results show that his lyrics are manifestations of love in the form of self-harming thoughts, expressing the hardships and pitfalls of love, the warmth of love and the burning of love, the high value of love, the mystical conduct associated with love, parting, the pain and sadness of love, the gay relationship, describing the behavioral characteristics of the lover, addressing expressions such as eye and gaze description, facial expression, lips and mouth, eyelashes, and stature. Manuscript profile
      • Open Access Article

        7 - The interaction of reason and love from Rumi's point of view in Masnavi
        zahra babapour mohammad reza sarfi Enayatullah Sharifpour
        Rumi has called for love with his joyous poems and is the leader of love in Persian literature. Love is a great force that permeates Rumi's soul. Wisdom and love are very important topics in Rumi's Masnavi. It is noteworthy to study Rumi's intellectual level of reason a More
        Rumi has called for love with his joyous poems and is the leader of love in Persian literature. Love is a great force that permeates Rumi's soul. Wisdom and love are very important topics in Rumi's Masnavi. It is noteworthy to study Rumi's intellectual level of reason and love. The sages say that man's privilege is to reason, but mystics consider man's privilege to be love. In this article, an attempt is made to examine Rumi's view on reason and love and the relationship between the two. Rumi is not only irrational, but he has received the best praise from reason and his opposition to philosophical reason. But since this divine blessing has become the cause of discord among the people and instead of guiding and guiding them, it has become a tool for the destruction of society, it has been opposed to it, and in fact, its irrationality is a kind of social reaction and indicates It is a sublime system of thought that seeks to free the intellect from the shackles of the soul.. Manuscript profile
      • Open Access Article

        8 - Encyclopaedia components in beyhaqi History
        mouhammad amir Mashhadi Remazan Mojavvezy
        Encyclopaedia includes topics such as Love and the text of the endearing of the Mysticism and…in general, any kind of writing or work that reflects the emotions and emotions of indivduais is included, that is, all the emotion from the most subtle to the greatest of the More
        Encyclopaedia includes topics such as Love and the text of the endearing of the Mysticism and…in general, any kind of writing or work that reflects the emotions and emotions of indivduais is included, that is, all the emotion from the most subtle to the greatest of them with every reality that exists, in every literary from you can trace the emotions of people. The writers efforts in this essay are to examine the components of Gana literature in Beyhaghi history by analyzing and describing it using library resources and presenting the components of the movement frequency at the end. since beyhagi on the art of portraying emotions beyhagi and in tone and its work has always felt a special place. So، doing this research، it was flet necessary. On beyhagi history، issues such as happiness and enthusiasm for festivals، recreation and hunting of umjales qaznavi and wedding nobeles and regrettable moments of death in venice death those persons can be found in abundance. Sometimes the reader by reading fiction like Hasanak vazir to cry and some times do it with sweet word allof him )her( to full of wonder These feeling are the themes of the rich literature that has been presented in the history of Beyhaghi, and it covers parts of this work in the field of this litwrary genre. Manuscript profile
      • Open Access Article

        9 - Syntactic Stylistics of Ahmad Gazali's Sawanih- Al-Oshaq & Ruzbehan Baqli’s Abhar- Al-Ashiqin
        azadeh sharifi
        Sawanih- Al-Oshaq by Ahmad Gazali is the first Persian Sufi masterpiece written about Love. The writer has redefined love beyond its divine or earthly meaning and built a Sufi discourse with love as its central concept. This love discourse was followed and grown up by n More
        Sawanih- Al-Oshaq by Ahmad Gazali is the first Persian Sufi masterpiece written about Love. The writer has redefined love beyond its divine or earthly meaning and built a Sufi discourse with love as its central concept. This love discourse was followed and grown up by next writers such as Ruzbehan Baqli, who wrote Abhar-Al-Ashiqin. Complicated language and literary values caused the content of those treatises to be neglected, so in Persian Sufi research tradition these texts were introduced as poematic, personal treatises without a specified ideological frame. Utilizing the devices of Systemic Functional Linguistics (SFL) such as " context of situation' and the analysis of ideational metafunction, has shown the declaratory and theoretical aspect of these two texts. Moreover, the formation of love discourse in 6th century A.H. was represented by comparing both texts. Manuscript profile
      • Open Access Article

        10 - Editor's Note
        Zohreh Hosaini Khamenei
        Sardar Soleimani School of love School of Martyrdom
        Sardar Soleimani School of love School of Martyrdom Manuscript profile
      • Open Access Article

        11 - Love as a Path towards Human Perfection (A Comparison of the Ideas of Ibn Sina and Mulla Sadra)
        Fateme  Soleimani
        Islamic philosophers, such as Ibn Sina, have divided human love into true and virtual types. True love is the same extreme enthusiasm and passion for divine essence and attributes, and virtual love itself is divided into soulish love and animal love. The origin of souli More
        Islamic philosophers, such as Ibn Sina, have divided human love into true and virtual types. True love is the same extreme enthusiasm and passion for divine essence and attributes, and virtual love itself is divided into soulish love and animal love. The origin of soulish love is the substantial participation and commensurability of the souls of the lover and the beloved. However, the origin of animal love is physical desire and seeking animal pleasure. Ibn Sina believes that virtual love is one of the elements of the “purification of the inner self”, which is one of the goals of ascetic practice and a way for attaining perfection. Mulla Sadra also maintains that in soulish virtual love, the unity of the lover’s soul with that of the beloved through preference and representing the external beauty of the beloved leads to the lovers’ purification of the soul, so that he becomes ready for accepting the station of being annihilated in God. Accordingly, he says that virtual love is a bridge for attaining true love and, ultimately, human perfection. Manuscript profile
      • Open Access Article

        12 - Necessity of Social Life and Man’s Need to Religion in Mullā Ṣadrā and Ibn Miskawayh
        Naser Mohamadi Gholamhossen Khedri Khalil Mollajavadi
        The present paper investigates the necessity of the development of social life in the view of Mullā Ṣadrā and Ibn Miskawayh in the domain of religion’s response to human needs following a comparative approach. Mullā Ṣadrā believes that the necessity of fulfilling human More
        The present paper investigates the necessity of the development of social life in the view of Mullā Ṣadrā and Ibn Miskawayh in the domain of religion’s response to human needs following a comparative approach. Mullā Ṣadrā believes that the necessity of fulfilling human needs warrants the existence of law and Shar‘ as well as an individual as a prophet. Following a philosophical approach, he explains that the concept of human species is realized in their “collective identity” outside their mind and in their social schematism. Ibn Miskawayh’s standpoint, which is worth more deliberation and is perhaps unique, indicates that man’s main need for collective life is due to the necessity of responding to their intrinsic need for mutual “love and affection”, while he refers to satisfying material needs at a later level. In his view, love provides the basis for life and formation of human collective society. Mullā Ṣadrā’s view enjoys a rational and philosophical essence, whereas Ibn Miskawayh’s explanation is merely based on the presence of love and affection among human beings. However, both thinkers acknowledge that the revealed religious theorems can respond to all human worldly and other-worldly needs. Nevertheless, none of them directly and clearly emphasizes the necessity of the purification of the soul for the prophet and the divine perfect Man. Manuscript profile
      • Open Access Article

        13 - Criticize to Kazantzakis based on Love, freedom and justice in opposite of Christian
        Mohammad Hasan Barzegar arastoo mirani mohammadali mir
        Christian morality has undergone various ups and downs since its formation. In the last two decades, Western thinkers, philosophers, and theologians have criticized the Bible and its teachings, the historical character of Jesus Christ, the behavior and actions of the ch More
        Christian morality has undergone various ups and downs since its formation. In the last two decades, Western thinkers, philosophers, and theologians have criticized the Bible and its teachings, the historical character of Jesus Christ, the behavior and actions of the church and the its leaders in the Middle Ages. In his writings, Nikos Kazantzakis criticizes institutional Christianity, the portrayal of Jesus Christ in the Bible, and his teachings and Christian monasticism. Relying on components such as love, freedom and justice, he portrays the Christian to be a model for the human race in modern times, which is experiencing a moral and spiritual crisis. Kazantzakis critiques Christianity, in which the church and the clergy seek to justify the degenerate morals of society, the rich and the poor, and the domination of oppressors and tyrants over society through deterministic teachings. He sees Christian monasticism as devoid of the creative spirit that separates man from the earth today but does not take him to heaven. This study aims to present Kazantzakis critiques of Christian ethics through descriptive methods and data analysis in some of his works. Manuscript profile
      • Open Access Article

        14 - A Study of the Historical Development of the Notion of Platonic-Aristotelean Agape and Love in Fārābī and Ṭūsī (In the Realm of Human Relationships)
        Fereshteh Abolhassani Niaraki
        The present study provides a description and analysis of the historical development of the notion of Aristotelean-Platonic agape (love) in the philosophical thoughts of Fārābī and Khwājah Nasīr al-Dīn Ṭūsī. Following a historical method, the author deals with the reason More
        The present study provides a description and analysis of the historical development of the notion of Aristotelean-Platonic agape (love) in the philosophical thoughts of Fārābī and Khwājah Nasīr al-Dīn Ṭūsī. Following a historical method, the author deals with the reasons behind this development in addition to describing it. The discussion of friendship (agape) in Aristotle’s philosophy is propounded in his Nichomachean Ethics, where some traces of Platonic notion are also observable. This discussion was transformed in Islamic Philosophy in certain respects, including the variety of the beloved (and the most beloved), individualistic or socialist aspect, and selfishness or selflessness aspect. Regarding the variety of the beloved, the discussion has moved from virtue-based friendship (agape) to the love of the Wise (God). As to its range, one can observe a change of dialog form social-political friendship to agape as an internal characteristic with individual and social effects. Moreover, it has moved beyond selfishness and selflessness and, in conformity with the principle of congruence, reached the love from Him (Godly). The influential views of such thinkers as Plotinus; the role of religion, culture, and gnosis, and the ideas of Ibn Sīnā, Ibn Miskawayh, and Suhrawardī are of great importance in explaining this development. The particular philosophical and Kalāmī principles of Fārābī and Ṭūsī as well as some of their ethical views are the most important factors in the interpretation of the underlying reasons of the mentioned development. Manuscript profile
      • Open Access Article

        15 - Surrealism in the poems of Arab poets with an emphasis on Nizar Qabbani's love poems
        Mohammad Tala  Rakhshan
        Ansi Haj is a Lebanese poet, one of the standard bearers of literary modernism and one of the founders of prose poetry in the Arab world. His poetry is distinguished by its automatic writing, the dominance of the space of discontinuity and dreams, and the dominance of t More
        Ansi Haj is a Lebanese poet, one of the standard bearers of literary modernism and one of the founders of prose poetry in the Arab world. His poetry is distinguished by its automatic writing, the dominance of the space of discontinuity and dreams, and the dominance of the mind. Ansi Haj, especially in the early stages of his poetry, travels in a surrealistic atmosphere, but due to the transformation and revolution that the prose poetry pioneered by him and fellow poets such as Adonis created in the Arabic poetry process, the stylistics and aesthetics of his poetry did not receive much attention and attention from critics. Based on this, this research has tried to examine and criticize the surrealist components and characteristics of his first and most controversial poetry collection, "Len" with the approach of descriptive analysis. The results show that the poet was deeply affected by the surrealist aesthetics and epistemological resources of this school; In such a way that the abundance of rebellious and irrational concepts, contradictory images, unconventional defamiliarizations, breaking of the thread of time and failure of the logic of language in this collection of poems indicate the poet's narration of the world of dreams, which the surrealists call the superior reality. Nizar Qabbani made an important change in the form and content of contemporary Arab poetry, and because of this, the conservatives rebelled against him and attributed various slanders to him. After Jovin, Nizar Qabbani has changed his poetic approach from love to politics, and the question of how successful his poetic art has been in depicting the situation of the failed Arab society, opens another chapter for the exploration of his works in front of the readers of his poetry. In this article, surrealism in the poems of Arab poets is discussed with an emphasis on the love poems of Nizar Qabbani. Manuscript profile