شعر معاصر

Open Access Article

1 - The Poetic Word Selection of Gheisar Aminpour by Critical Discourse Analysis Approach
پریسا صالحی

Each artist may picture his/her political, social and cultural attitude in a different way, so Gheisar Aminpour was not an exception. He was one of the early revolutionary poets, who had involved in a number of ideological and religious values and had a stable belief on More

Each artist may picture his/her political, social and cultural attitude in a different way, so Gheisar Aminpour was not an exception. He was one of the early revolutionary poets, who had involved in a number of ideological and religious values and had a stable belief on revolution’s principles and public ideality, to the extent that his poetry world was conceivably produced through a certain profound ideology. The interaction between the poet, Aminpour, and the political and social transformation in his society could make any individual study his poetry world by discourse analysis approach. Since any language could be supposed as a mirror of the thought (words as the mirror of the meaning), and the words’ role as well as their selection may certainly be significant in the process of analysis, this research is specified to the study of word selection of Aminpour’s poems by critical discourse analysis. Furthermore, it has focused not only on the study of Aminpour’s poetry world in terms of historical, political and social renovation of his era but also on his words’ selection, studied here, on three descriptive, interpretive and explanatory levels. In conclusion, the hidden meaning of the words are supposed to be revealed by critical discourse analysis tools to illustrate, more or less, the ideological attitude of the poet. Manuscript profile

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2 - Study and Analysis of Symbolism in the Poetry of Qeysar Aminpour
ali mohammadi جميله زارعي

Two types of symbol can be seen in Aminpour’s poetry: common symbols used in the Persian literature in general and the symbols the poet himself made and introduced to the Persian poetry. Though innovative, we should remember that it is the nature, and his religious beli More

Two types of symbol can be seen in Aminpour’s poetry: common symbols used in the Persian literature in general and the symbols the poet himself made and introduced to the Persian poetry. Though innovative, we should remember that it is the nature, and his religious beliefs that feed them. Studying the symbols in Aminpour’s works we concluded the following: 1. Source of most symbols is religion. 2. The poem collection of “Breathing of the Morning” bears more symbols. 3. The words tulip; yellow, red, green, unripe, and … are of symbolic meanings in his poems. Manuscript profile

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3 - ‘Multiple Head Phrase’ and Its Aesthetic Functions in Akhavan's Poetry
فاطمه مدرسي اميد ياسيني

The present research is about multiple head phrase and its aesthetic functions in Mehdi Akhavan Sales' poetry. The research has been conducted deductively. One of the linguistic introductory materials in Akhavan's poetry is to use multiple head phrase in order to extend More

The present research is about multiple head phrase and its aesthetic functions in Mehdi Akhavan Sales' poetry. The research has been conducted deductively. One of the linguistic introductory materials in Akhavan's poetry is to use multiple head phrase in order to extend the constituents of speech and to elaborate it. Establishing lexical or semantic relations between the two head of the multiple head phrase that has been made using ‘apposition’, Akhavan makes them function as the elements of foregrounding linguistic structures, and as the aesthetic elements of poetry. The main functions of such phrases in Akhavan's poems are defamiliarization, foregrounding, leading the referential language to the poetic one, and creating beauty. Some other aesthetic functions of multiple head phrase in Akhavan's poems are to lead the language of the poems to elaboration, to describe the antecedents of the appositions, and to create an aesthetic distance between reason and emotion. Stressing the main poetic function of the multiple head phrase - which is to create the illusion of identity between the entities of different types- Akhavan selects opposition among the set of "abstract entities, objects, plants, liquids', and coordinates them with their antecedents. Doing so, he provides beautiful images which rely on creating the illusion of sameness between the entities having features of different values such as: + abstract/ - abstract, + concrete/ - concrete, + plants/ - plants, + liquid/ - liquid, and etc. Manuscript profile

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4 - The Structural Sameness of the Poetry of Nima and Some Contemporary Poets
Mohammad خسروی شکیب GHsem Sahrai

Being attributed to an especial and autonomous style, every literary genre – poetry, short story, novel, and prose – is considered as a writing system, that relies on the structural relations and expectations, linguistic arrangements, and in general, its own backgrounds More

Being attributed to an especial and autonomous style, every literary genre – poetry, short story, novel, and prose – is considered as a writing system, that relies on the structural relations and expectations, linguistic arrangements, and in general, its own backgrounds of literary theories. Obviously, any style owes its newness to the autonomy and newness of the pre-structural theories which guarantee its reality as a special stream of the capability to be followed and continued. To offer an autonomous structure with mature and innovative ways of expression and a world-view capable of receiving new dimensions is basically a presupposition and a precondition for every new style to attain its autonomy. Contemporary poetry under the leadership of Nima and his followers – Sepehri and Forouq – relies on the ontological and aesthetic features conveying its reality as a deeply rooted stream of the capability to be followed and continued, and the most important of all, as a stream of autonomy and identity. The present article evaluates the structural sameness of the poetry of Nima, Sepehri and Forouq which distinguishes their poetry from the classical one. Demythologizing of the constructions, centralism in formal systems, innovative endings, innovative realism, avoiding the meaning totalitarianism, abstractionism in language, agitation through language, and commitment to humanity are the evidences of structural sameness of their poetry. Manuscript profile

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5 - The Transformation of Symbols in Contemporary Poetry
حسن شاهی‌پور Mohammad خسروی شکیب

The symbols have the potential to change through time and history and revolve in concept and meaning. Symbolic tendency in the domain of contemporary literature is a result of the tyrannical situation and the dictator governments, added to the cautiousness and fear of m More

The symbols have the potential to change through time and history and revolve in concept and meaning. Symbolic tendency in the domain of contemporary literature is a result of the tyrannical situation and the dictator governments, added to the cautiousness and fear of media censorship, and stylistic transformations. All this can be furthermore combined with the delicate attempts taken for artistic enrichment; known as ‘ambiguity’, while it also intends to make the reader participate in the reading process and literary creativity in order to gain further enjoyment. Poets who are capable of independent thinking and are innovatively creative, protect the symbols; and save them from daily obscenity and even gradual death and decadence. Nima and the followers of his literary theory emphasized two words; that is “balance” and “naturalness” in using the symbols. They made an effort to utilize the repetitive, old and obsolete symbols within new concepts in order to enrich poems; in addition to enriching their own stylistic theory. Some of the symbols enjoy a particular entity and internal value, due to their history or flexibility in conveying multiple meanings and also being more influential in different artistic levels; therefore we can regard them as super-symbols. For gaining a proper semantic concept of a literary work demands an appropriate interpretation and understanding of such super-symbols. “Water”, “ wind”, “ night”, “ wall”, “ mirror” etc are some of such symbols; frequently used in contemporary poetry. The transformation of these super-symbols is the main question of the present article. Manuscript profile

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6 - Lexical archaism in Akhavan Saleth’s works
فروغ صهبا

Akhavan Saleth poetry link to ancient persian language and literature. Using its words, combinations and expressions in a various way and scattered is clear cut to any one. It is one of his poetic arts giving his language epic and fixed form and appearance. This feature More

Akhavan Saleth poetry link to ancient persian language and literature. Using its words, combinations and expressions in a various way and scattered is clear cut to any one. It is one of his poetic arts giving his language epic and fixed form and appearance. This feature is one of the ways toward defamiliarization with the past archaic element of the language called archaism as one of the most important feature of Akhavan’s poetry. This article tries to study and describe Akhavan’s poetry word related elements having ancient form and style and make his poetry prominent. The result of the study shows that Akhavan’s poetry archaism can be divided into two groups: A-The first one concerns the words not used today or used rarely including general, B-epic science related words such as the words used in medicine, musician and the like. The second one concerns the words experienced in archaic way some changes such as aphesis, heightening, mutation and inversion. Manuscript profile

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7 - Music and Imagination in Pejman Bakhtyari’s Poem
مريم‌ مشرف

Housein Pejman Bakhtyari (1297-1353) one of the romantic poets has composed with regards to aesthetics models of Iranian ancient poem. According to our knowledge, old poem with its various forms sustained after contemporary modernisms, and dedicated almost prominent poe More

Housein Pejman Bakhtyari (1297-1353) one of the romantic poets has composed with regards to aesthetics models of Iranian ancient poem. According to our knowledge, old poem with its various forms sustained after contemporary modernisms, and dedicated almost prominent poets to contemporary culture and art. Pejman Bakhtyari, is of the same grade poets like Radi Azarakhshi, Rahi Moayeri, Amiri firozkoohi, vahid Dastjerdy and Forouzanfar. He is one of contemporary poets whose poems have not been investigated in detail up to now. This essay explains and analyses music and imagination in his poems and concludes that among main factor of poem, (eg, language, music and imagination), music is salient in his works. Manuscript profile

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8 - Reviewing and criticizing the formal aspects of language in the works of main poets in the movement of speech poetry
ساناز رحيم‌بيكي غلامحسين غلامحسين‌زاده قدرت‌ الله طاهري

In the process of creating poetry, all the elements involved are formed in the language. So, the language is one of the most basic factors in creating the poetry. Speech poetry is a new branch of Iranian modern poetry in 1370s and 1380s. While the speech poets argue tha More

In the process of creating poetry, all the elements involved are formed in the language. So, the language is one of the most basic factors in creating the poetry. Speech poetry is a new branch of Iranian modern poetry in 1370s and 1380s. While the speech poets argue that they use all capacities of language used among the mass, reviewing the form aspects of language in this branch of Iranian poetry is very important. Introducing and explaining the forms and contents of this branch is an important step in knowing the contemporary literal evolution, while the branch has not been explored in academic literature. For this purpose, in this paper we try to define the speech poetry, its history and its linguistic aspects by focusing on the works of Reza Baraheni, Ali Babachahi, Merdad Fallah, Hafiz Musavi and Seyed Ali Salehi. The method of research is based on the style-linguistic study; the main aspects of language are reviewed in three formation: vocal, lexical and syntactic of public language. The poets of this branch use the voices of periphery, in addition to the terms, expressions, metaphor, proverbs, to enrich the language of their poems. Manuscript profile

Open Access Article

9 - Religious themes in poems Al-tayyeb al-samani
Bijan Karami

Poetry is one of the lasting effects of life, which has direct and inseparable emotions, emotions and human beings. This lasting work, if it serves the expression of the moral wisdom, the preservation of religious values, and the safeguarding of Islamic teachings, will More

Poetry is one of the lasting effects of life, which has direct and inseparable emotions, emotions and human beings. This lasting work, if it serves the expression of the moral wisdom, the preservation of religious values, and the safeguarding of Islamic teachings, will bring many spiritual demands to mankind and lead the society to the path of guidance because the poem with this The language is pure and there is a sense of purity and sincerity, inner sense, perfection, and beauty. The authors of this research, which are descriptive-analytic, have been devoted to the study of pure Islamic thoughts and religious truths and experiences in Sudanese Muslim poet al-Tayib al-Samsani's works. The findings of the research show that the poet, through the use of Quranic images and concepts and various literary techniques, such as the element of repetition, has contributed to the survival of religious thoughts in the mind of the audience. Manuscript profile

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10 - Looke of educational moral and teching in Forough Farrokhzad and Nazek Almalaek,s poem
farideh salamatnia saeid kheirkhahbarzaki Abdolreza modarres Zadeh

In the "Age of Friction of Metals," contemporary humans need more than ever the didactic teaching. With all the benefits of this era, one can see that today man is searching for ways to fill the vacuum created by the lack of spirituality and the result of this explorati More

In the "Age of Friction of Metals," contemporary humans need more than ever the didactic teaching. With all the benefits of this era, one can see that today man is searching for ways to fill the vacuum created by the lack of spirituality and the result of this exploration is his unconscious return to spiritual and moral values. Perhaps this is because the didactic and moral texts were considered from ancient times by Iranian poets and writers and expresses the important role of literature in the development of didactic and moral teachings. The poetic aspect of teaching poetry is very prominent in Persian literature; such poems are more lyric in our country because the poet's passion and emotion are evident in their ethical, didactic, social, mystical, and religious issues. The author of the present article analyzes and evaluates the poetry of two prominent and influential ladies from Iran and Iraq, Forough Farrokhzad and Nazok al-Malaeke, using the descriptive-analytical method. And concluded that both poets have paid attention to the teachings and moral education and concepts such as kindliness (love), impoverishment and defending the deprived, idealism, justice in their poems are widely used. Manuscript profile

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11 - An Investigation of Humanism of Contemporary Poets from the Point of View of Epistemology
mohsen Izadyar

This research aims to take an epistemological outlook towards humanism in modern poetry, from Persian constitutional revolution up until the Islamic revolution in Iran. By taking a pathological stance, the survey shows how from the constitutional period in Iran, which i More

This research aims to take an epistemological outlook towards humanism in modern poetry, from Persian constitutional revolution up until the Islamic revolution in Iran. By taking a pathological stance, the survey shows how from the constitutional period in Iran, which is the commencement to modernism and accordingly to the flow of western philosophical thoughts, humanism has always been combined with personal partisan and westernized conceptions, and on the other hand always inattentive to religion and the realities of the sociopolitical structures of Iranian society. Insistence on the transference of such a culture and literature, without paying attention to the cultural and literary infrastructures of the country of the origin, has been the problem in works of modern poets. Another concept that this paper insists on is that many poets have only tried to imitate the humanist thoughts in modernist poetry. On the other hand, because of the lack of intimacy, absence of visual experience and also generalization, there is no real alignment to be found between the alleged modernist poet’s poetry and its audience. This is more than anything because of the luxurious and imitative outlook that poets have towards this specific type of poetry. Manuscript profile

Open Access Article

12 - Review of the narrative time period in the Scriptwriter script by Siavash Kasraei on the basis of Gerard Genet's theory
hosin rasolzadeh hojat bodaqi

The ‘Mohreye Sorkh’ Poem is one of the highest narrative poems in contemporary literature, which Kasraei uses with a narrative and mythical method to recreate the stories of Rostam and Sohrab. Since this poem has no direct line and is accompanied by changes to Ferdowsi' More

The ‘Mohreye Sorkh’ Poem is one of the highest narrative poems in contemporary literature, which Kasraei uses with a narrative and mythical method to recreate the stories of Rostam and Sohrab. Since this poem has no direct line and is accompanied by changes to Ferdowsi's narrative, the use of the theory of genes in the understanding of this system is of great help to the audience. Genette refers to three types of time relationships between the time of the story and the time of the text, which are: 1. Order 2. Durability3. Frequency. The results show that the chracariity in the order element of the tendency is to the type of post-negation. The results show that he has a tendency to type-flashforward in the order element. These flashbacks are the means for him to be able to narrate his closed destiny. In the continuity of time, numerous descriptions, including the description of their characters and their states, space and place and time, have caused the poetry to have a negative momentum and the narrative time with the time of the story and the text is almost equal. The frequency of the element of dialogue has brought the structure of this poem closer to a dramatic text. These talks, in addition to the possibility of personality, have been able to add to the lyrical load of the poetry system. In a few cases, he has been able to escape unnecessary material by using the eliminating element, and directing the audience to the main story. In the case of the frequency element, it can be said that, apart from repeating the story of the birth of Sohrab and the vertebrae, it is not frequent and recurrent, and often comes in singular frequency. Manuscript profile

Open Access Article

13 - Survey the dimentions of intertextuality of shafiei kadkani poems with Mehdi Akhavan-Sales and Ahmad Shamlou in words and compounds and images
sonia hasani seyfaddin abbarin barat mohammadi

Abstract: Mohammad-Reza Shafiei Kadkani is one of the Iranian contemporary poets have a vaste intertextuality relation with the Iranian classic poets and some time with Iranian modern and contemprary poets. His itertexuality with classic poet has been studied by some r More

Abstract: Mohammad-Reza Shafiei Kadkani is one of the Iranian contemporary poets have a vaste intertextuality relation with the Iranian classic poets and some time with Iranian modern and contemprary poets. His itertexuality with classic poet has been studied by some researcher but Synchronic intertexuality has not been investigated and because of this, in this article we tried that survey the dimentions of Shafiei kadkanies intertexuality relation with contemporary poem. In this regard, we survey the interteexualty relation of shafiei kadkani with two famous contemporary poets Mehdi Akhavan-Sales and Ahmad Shamlou in context of words, Vocabulary and compounds and poetic images. the result of this research makes it clear that the intertextuality relations with contemporary poetry also forms a significant part of the Shafies intertextual relationship and can be seen , more words and compounds and images that shafiei loan from These poet. Manuscript profile

Open Access Article

14 - جریان شناسی شعر معاصر- بهره نخست
نوشین طالب زاده

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15 - کنکاشي در پديده‌هاي تضاد و ترادف در زبان شعري مظفر النواب
مهدي شاهرخ ابوالحسن امين مقدسي

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