• List of Articles شراب

      • Open Access Article

        1 - Comparison of Khamriyat of Abu Nuwas and Saqi-Nameh of PartoviShirazi (From the Soil to the Sky)
        marjan aliakbarzade zehtab Farzad  Farzi
        Saqi-nameh and khamriya-saraei are one of the most pleasant lyrical types of poetry. Many poets and mystics have written their poems based on themes and concepts of Khamr poetry. The comparative study of the themes of the poems of Abu Nuwas (133 AH-196) and Hakim Partov More
        Saqi-nameh and khamriya-saraei are one of the most pleasant lyrical types of poetry. Many poets and mystics have written their poems based on themes and concepts of Khamr poetry. The comparative study of the themes of the poems of Abu Nuwas (133 AH-196) and Hakim Partovi (870 AH-941) is the main issue of this article. This research, with descriptive-analytical method and relying on library texts, seeks to answer the question that what are the differences and similarities of the poetic themes in Abu Nuwas'sKhmeryat and Hakim Partovi'sSaqi-Nameh? The results of the research show that both of these works are similar in terms of descriptions, similes, use of musical instruments and tunes, as well as tavern vocabulary, and the difference that can be seen in these two is that wine, tavern instruments ,Saqi and PirMikdeh in Abu Nuwas'sKhamriat had an outward aspect, but in Saqi Nama Partovi, it is beyond the outward meaning and expresses a kind of philosophical and mystical thought. The concept of wine and wine drinking in Abu Nuwas's wine has the aspect of pleasure-seeking, and in Partovi'sSaqi-nameh, it has the aspect of mystical drunkenness and reaching closeness to God. He somehow tries to reflect high mystical thoughts in his poems by using seemingly infamous Khmer words. Manuscript profile
      • Open Access Article

        2 - A Comparative Study of WINE DRINKING WRITING by Hafez, Ibn Fariz, and Bahar
        zahra sahraneshin mostafa salari behrouz romiani
        <p>We know that apparent wine, of various types, is untouchable in the holy Shari'a of Islam and it is forbidden to drink. But in the literature of different ethnic groups and nations of the world, there are many topics and themes that are due to human nature, the relat More
        <p>We know that apparent wine, of various types, is untouchable in the holy Shari'a of Islam and it is forbidden to drink. But in the literature of different ethnic groups and nations of the world, there are many topics and themes that are due to human nature, the relationship of ethnic groups and nations with each other and the presence and tangible existence of those themes about wine and its characteristics in human life. And they consider wine and drinking as a source of refreshment and uplifting of the human soul and psyche. Mankind has long sought to alleviate its pain, and the most accessible remedy to deal with the heart of the sorrows of the time, regardless of whether it is right or wrong, knew drinking. For this reason, the poems of different nations are full of descriptions and explanation of wine and its accompanying themes such as butler, goblet, wine and vintner, Vine and grape shrubs, and finally spiritual wine in Islamic mysticism. So that in some nations celebrations were held in honor of the goddess of wine. In this descriptive-analytical method, we seek to compare and apply the wine-drinking theories of two poets in the field of mysticism, namely Ibn Fariz and Hafez, in comparison with a contemporary poet who had libertarian and patriotic ideas, in order to answer the question of whether Their drinking is either metaphorical or real and the relief of pain is accompanied by divine love and passion or they have used some kind of real grape wine. And in spite of the elaboration of the subject and the conclusion, let us clarify the commonalities or differences of opinion in this field.</p> Manuscript profile