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        1 - Figures of Speech in the Poetry by Farid (Ghader Tahmasbi)
        محمود  براتي مريم  نافلي
        Figures of speech are substance of poetry and the criteria for evaluating it. The term poetic style of the period of Islamic Revolution and Sacred Defense (the 1980-81 war between Iraq and Iran) is new, about three decades. This labeling is somehow ambiguous; it may be More
        Figures of speech are substance of poetry and the criteria for evaluating it. The term poetic style of the period of Islamic Revolution and Sacred Defense (the 1980-81 war between Iraq and Iran) is new, about three decades. This labeling is somehow ambiguous; it may be more accurate if we call it the style of Republic, following the style of Constitutionalism. Studying the works of the poets of Revolution and Sacred Defense, such as Farid, can help better know the characteristics of this style. In the present article Farid’s poetry is being studied regarding figures of speech used in his poem collections of ‘Pari-Setare-ha’ (fairy stars), ‘Pari-Bahane-ha’ (fairy excuses), and ‘Pari-shode-gan’ (turned into fairies). The result is shown in tables and diagrams. His use of Simile, metaphor, irony, and symbolism is remarkable in them. The use of similes here not only serves to concise writing in the field of imagination, it also approaches to identification, and causes some kind of exaggeration in the field of simile. Manuscript profile
      • Open Access Article

        2 - Value Orientated and Resistance Culture in the Modernist Poetry of the Post-Sacred Defense Era from 1991 to 2011
        علی  ترحمی Ali  Eshghi Abolghasem AmirAhmadi
        Although the roots of Resistance literature in Iran return to pre-Islamic era, the contemporary works are not comparable with the previous era in terms of the plurality, quality and the audience attention. The sacred defense poetry is one of the value orientated and res More
        Although the roots of Resistance literature in Iran return to pre-Islamic era, the contemporary works are not comparable with the previous era in terms of the plurality, quality and the audience attention. The sacred defense poetry is one of the value orientated and resistance works produced in this period and afterwards. Therefore, the current paper aims at analyzing the value orientated and resistance culture in the modernist poetry of the post-sacred defense era from 1991 to 2011. Following the conceptual explanation of the research subject, the paper addresses the value orientated and resistance culture in the modernist poetry of the post-sacred defense era. This is a descriptive-analytical paper, given the thematic documents. Data was collected using library sources. The findings indicate that, firstly, the post-war conditions seem to have led the poets to combine templates and poetic themes to promote the value orientation and resistance culture. Secondly, post-war literature should be taken into account as the period of rehabilitation and flourishing of the resistance literature, which manifests itself in the documents of the sacred defense, and can be regarded as the source of inspiration and the motive of resistance and the prevalence of value orientation cultural. Manuscript profile
      • Open Access Article

        3 - Dual contrasts in sacred defense poems
        ziba  Esmaeili Massoumeh Khojaste
        Dual contrasts are among the linguistic factors that, by influencing the syntactic and intellectual level of a work, make its structure more artistic and in semantic and structural studies are the fundamental elements of achieving the structure, world of thought and tho More
        Dual contrasts are among the linguistic factors that, by influencing the syntactic and intellectual level of a work, make its structure more artistic and in semantic and structural studies are the fundamental elements of achieving the structure, world of thought and thought of literary works. In this research, which has been conducted by library method and with the aim of better understanding the poetic world of holy defense poets, it has been tried to investigate the poems of this period with a descriptive-analytical approach based on double contrasts. were extracted in the poetry of three prominent poets of this period (Qaisarminpour, Abdoljbarkaei and Alireza Quzouh) and classified according to different types of confrontations. Data analysis showed that different types of contrasts (graded, complementary, ambivalent, directional, etc.) are found in the poetry of this period and complementary and implicit confrontations have the highest frequency. Another result in the study of these poems is that at the content level, concepts and thoughts are at odds with each other, and it can be said that the application of confrontations to the process of meaning and highlighting the concepts related to war, sacred defense and political, social, cultural issues considered by poets has helped and has been able to convey the mental concerns of poets through highlighting. Another noteworthy point in the application of contrasts is that they have a great effect on the imaginary structure of poems and are the basis of some literary industries .such as allusion, simile, pun, metaphor, etc Manuscript profile