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      • Open Access Article

        1 - The Roll of Myths in Shaping of the Ontology of the Cosmic Order in Tansar’s Letter
        علی جهانگیری گارینه کشیشیان حسن  آب‌نیکی ali mortazavian
        Order and justice are the most important concepts of thought that are rooted in the worldview and ideology of each nation. Accordingly, the idea of Tensor, the Zoroastrian priest of the Sassanid era, is influenced by the religion of Zoroaster and his mythological view o More
        Order and justice are the most important concepts of thought that are rooted in the worldview and ideology of each nation. Accordingly, the idea of Tensor, the Zoroastrian priest of the Sassanid era, is influenced by the religion of Zoroaster and his mythological view of the universe. In his view, myths direct and regulate the view of the pious and religious man towards himself and nature. A cosmic order in which everything has an end and everyone acts in his own duty under the supervision of Ahura Mazda in the battle of good and evil. The mirror of this upright view on earth becomes the chief-centered system in which the three elements of the ideal king, the universal religion, and the social hierarchy, establish order and justice according to the eternity law called Ashe. Justice is transmitted from the individual to society, and all its details correspond exactly to religion and the cosmic order. The Tensor Letter is one of the classic texts in which the outlines of the political thought of ancient Iran are drawn. Political thought reflected in this text reflects the norms of the political and social environment of this period and the author has theorized in the prevailing religious intellectual space, namely the Zoroastrian worldview. The method used in this article, based on Tensor's letter, is Skinner's text-context-based method. In this article, an attempt was made to represent the role of mythology in the formation of the cosmic order in Tensor's letter. Manuscript profile
      • Open Access Article

        2 - Stylistic Multiplicity in the Ancient Text of the Letter of Tensar
        zhila dehbozorgi
        Persian prose comes from the ideas and style of Iranian writers. Some writings contain more than one thought and style in its writing. Tensar's letter is a work in Pahlavi language by Ibn al-Maqqaf in Arabic and Ibn Esfandiar translated into Persian and added to the let More
        Persian prose comes from the ideas and style of Iranian writers. Some writings contain more than one thought and style in its writing. Tensar's letter is a work in Pahlavi language by Ibn al-Maqqaf in Arabic and Ibn Esfandiar translated into Persian and added to the letter. This letter illustrates an example of light multiplicity in a Persian work. The question that arises is that what features of the text appear lightly despite the writings of the three authors? Tensar's letter is somewhat uniform in content, but structurally different. The purpose of this article is to identify the stylistic multiple in Tensar's letter. This query is documented. According to the research, the authors of the letter have been involved in the writing structure of the text, such as the introduction, content, and old terms and vocabulary of the first author's style, such as to approach the letter to Islamic texts, In particular, the stylistic features of the third author are a mix of anecdotes and allegories from the second author's initiative, and an updated language of literary beauty, elaborate sentences and quotations from the like. Manuscript profile