List of Articles انوری

• Open Access Article
  • Abstract Page
  • Full-Text
  
  1 - Taj-al-Ma’aser and some forgotten verses from some divans (the books of poetry)
  طاهره  خوشحال دستجردي غلامحسين  شريفي ولداني مهدي  فاموري عليرضا  شادآرام
  The historical-literary book of Taj-al-Ma’aser is the oldest document on the history of the Qourians. It was written in 602 (A.H.) by Hasan Nezami Neishabouri, who lived at the time of the Qourians of India and, as one of their officials. In addition to its historical v More

  The historical-literary book of Taj-al-Ma’aser is the oldest document on the history of the Qourians. It was written in 602 (A.H.) by Hasan Nezami Neishabouri, who lived at the time of the Qourians of India and, as one of their officials. In addition to its historical value, the book is of great literary importance. Using poetic figures, and frequent references to Arabic and Persian poems are among its features. According to Malek-al-sho’ara-ye Bahar, none of the ancient works has so many references to poems and poetry as Taj-al-Ma’aser has. Therefore, it can help to reconstruction of the verses lost in divans’ of famous poets. The authors here in the present article have made comparisons between the verses from the well-known poets recorded in Taj-al-Ma’aser and in their edited divans. No doubt that such a comparison is so helpful for the exploration and correction of the poems. Manuscript profile
• Open Access Article
  • Abstract Page
  • Full-Text
  
  2 - Anvari’s Point of View about the Origin of Poetry and the Poet’s Social-class Identity
  مهدي  محبّتی
  The description of poetry and stating the poet's position among the social classes are the two major features in Anvari's literary point of view. Anvari succeeded to suggest and point to new and solid attitudes and views on the analysis of poetry and also the poet's c More

  The description of poetry and stating the poet's position among the social classes are the two major features in Anvari's literary point of view. Anvari succeeded to suggest and point to new and solid attitudes and views on the analysis of poetry and also the poet's class-identity due to enjoying a rational education and being quite familiar with the versified word and its fields, in addition to the pure artistic experiences he himself earned during his life by creating poetry. He founded one of the most significant sources for the sociology of poetry and the poetics in the Persian Literature by both categorizing the poets' classes and the analysis of the poet's role and position in the chain of the social needs. He then compared these productions, or better to say in this field 'the creations', with the products of the other social classes. He also studied the reasons leading to the creation of a variety of poems in the poet's mentality and mind. Anvari himself created a few long and prominent poems in this specific field of study for the first time and expressed the first descriptive-rational attitudes on the nature and essence of poetry and its various kinds. This article reflects Anvari's precise and clear thoughts and ideas about poetry and the poet's class-identity. Manuscript profile
• Open Access Article
  • Abstract Page
  • Full-Text
  
  3 - Investigating the Role of Conceptual Metaphors in the Evolution of literary styles (Relying on Body Metaphors in Farrokhi Sistani, Anvari, and Hafiz's poems)
  Mohammad Taheri Masoumeh  Archandani
  The conceptual metaphor is the mind’s technique for conceptualizing affairs. The mind tries to conceive and contemplate some intangible affairs for itself with the help of this fundamental construct. Hence, it is expected that by changing it, we will also see a change i More

  The conceptual metaphor is the mind’s technique for conceptualizing affairs. The mind tries to conceive and contemplate some intangible affairs for itself with the help of this fundamental construct. Hence, it is expected that by changing it, we will also see a change in thought-related macro-systems. Among these macrosystems are literary styles that have many factors involved in changing them. This article tries to answer the question of how the change of conceptual metaphors in time has an effect on the change of literary styles through analytical-descriptive method. To answer it, we trace the conceptual metaphors related to the body, which include the words "hand, eye, heart and head", in a selection of poems by Farrokhi Sistani, Anvari and Hafez. By analyzing the obtained information, we conclude that conceptual metaphors have undergone significant changes over time that are in line with the evolution of literary styles and are variables affecting the evolution of styles. Manuscript profile
• Open Access Article
  • Abstract Page
  • Full-Text
  
  4 - A Stylistic Analysis of Anvari's Ode on Invasion of Khorasan by Oghuz Turks
  tahereh mirhashemi
  Manuscript profile
• Open Access Article
  • Abstract Page
  • Full-Text
  
  5 - Investigating the causes and motives of satire in Khaghani and Anvari poetry
  hajar jowkar Maryam parhizgari Seyed Jafar  Hamidi
  Satire is one of the branches of lyrical literature; in which the poet, for various Reasons and motives, slanders any annex that rivals or is hostile to him. The satire comes from the poet's resentment, enmity and neurosis; and because there are feelings and emotions in More

  Satire is one of the branches of lyrical literature; in which the poet, for various Reasons and motives, slanders any annex that rivals or is hostile to him. The satire comes from the poet's resentment, enmity and neurosis; and because there are feelings and emotions in all human beings, all human beings are instinctively capable of satire and satire. This type of literature has been common in Persian literature and other nations. Various causes and factors such as psychological, material and socio-economic factors can play a role in its development. In this article, an attempt has been made to examine the satirical motives of two great poets, . Anvari Abivardi and Khaghani are both great poets of the sixth century whose poems contain many satires. The main question addressed in this research is, what were the causes and motives of satire in the poems of these two poets? The findings of this article indicate that in Khaghani's poetry the motives for satire are mostly psychological, personal and personal causes, and in Anvari's material material, personal and personal motives, psychological and sometimes social factors have been the reason for satir. Manuscript profile