The Criticism and Analysis of Mahan the Egyptian in Haft Peykar (“seven portraits”) of Nezami
Subject Areas : Research in Iranian classical literatureاحمد امیری خراسانی 1 , طیبه گلستانی 2
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Abstract :
Haft Peykar (“Seven portraits”) by Hakim Nezami Ganjavi, which is his fourth epopee from temporal perspective and one of its two masterpieces (along with Khosraw and Shirin) from quality perspective is the adventure of Bahram-e Gur. His story is narrated along with seven girls from seven different lands. Bahram-e Gur lives every day of a week with one girl in a dome having special color and listens to strange stories from them. At Wednesday in turquoise colored dome, the girl of fifth land tells the story of a man who got to be captive of demons; the representation of Souroush (Gabriel) is so obvious in this story. Souroush is one of the Zoroastrian lords that is emerged in different kinds and forms in public belief and literary works. Souroush is often the angel and messenger of mystic world. One of the most important roles of Souroush is fighting with demons and evils. It is in this fighting that the bird concomitant with Souroush invites people to awakening and worshipping God with its groan. After noting features and characteristics of Souroush Lord and its concomitant bird, the study attempts to follow one of its most important actions within the story. It is seen that disappearing of demons is due to the presence of Souroush Lord.
